'Dance for me Gili' (art director & set dresser)
a child star's world crumbles when a fan discovers her drug abuse. Determined to preserve her fame, she resorts to drastic measures, ultimately facing the brutal truth that fame comes at a cost too high to bear.
'Moving On' (director)
a woman confronts her past trauma at a party where her abuser is embraced by oblivious friends. Amidst the silence surrounding her suffering, she grapples with the challenge of confronting the truth, unsure of where it will lead her.
'Erev Hag' (art director & set dresser)
two siblings explore a museum with their mother on a holiday eve, feeling the absence of their divorced father. Amidst the empty frames of their fractured family, they seek connection and solace in each other.
'The Phone Call' (director)
An exercise in dialectics - a girl with crippling anxiety must confront her fears by making a simple phone call, avoiding it until she summons the courage to act. In this brief yet powerful moment, she discovers inner strength in overcoming her social anxiety.
'Both' (cinematographer)
a teenager dreams of becoming a drag queen but faces parental resistance. Balancing self-discovery with family expectations, he must find the courage to pursue his passion and embrace his true identity.
'Whenever you're ready' (director)
An exercise in Praxis - an aspiring actress brings the intensity of auditions into everyday life, even dating. confronted with her obsession to sell herself and being oblivious, she pursues genuine connection and her dreams.
'Moral-Social-Panic' (director)
An exercise in simulacrum - a young woman must decide between going out partying with friends or prioritizing safety during a deadly global pandemic. As she weighs personal desires against societal responsibility, she confronts an ethical dilemma amidst uncertain times.
